Archive for July, 2012

My composition arises out of asking questions. I am reminded of a story early on about a class with Schoenberg. He had us go to the blackboard to solve a particular problem in counterpoint (though it was a class in harmony). He said, ‘When you have a solution, turn around and let me see it.’ I did that. He then said: ‘Now another solution, please.’ I gave another and another until finally, having made seven or eight, I reflected a moment and then said with some certainty: ‘There aren’t any more solutions.’ He said: ‘OK. What is the principle underlying all of these solutions?’ I couldn’t answer his question; but I had always worshipped the man, and at that point I did even more. He ascended, so to speak. I spent the rest of my life, until recently, hearing him ask that question over and over. And then it occurred to me through the direction that my work has taken, which is renunciation of choices and the substitution of asking questions, that the principle underlying all of the solutions that I had given him was the question that he had asked, because they certainly didn’t come from any other point. He would have accepted the answer, I think. The answers have the questions in common. Therefore the question underlies the answers.

via Where the Heart Beats: John Cage, Zen Buddhism, and the Inner Life of Artists | Brain Pickings.

//I would add that good questions make the mind stop so you can see. lw

We are hardwired for story. We can’t help it; it is what we do. We interpret, we judge, we speculate, we remember, we ponder, we investigate, we justify…we story. Meaning making and interpretation are processes of story. Even hard data is a form of story—when we story ourselves we locate: where are we now, where are we going? How we locate ourselves is a process of story.

The story you tell yourself about your self is often hard to see because you don’t see it as a story. It’s your life and you are so used to the inner-narrative that you stop recognizing your self as the narrator/interpreter of the events. You assume that your story is truth; you assume that your story is “normal.” Your thoughts are your story.

The language you use to tell your story determines the world you see or do not see.

Recognizing that you are the storyteller of your life is one of the most potent paths to transformation available. When you recognize that you narrate and interpret every experience, every moment, every day of your life – that your memories are not passive, your imaginings betray a specific narrative point of view; then you can begin the path of creating. What you believe is possible, what you see as a limitation is unique to you: it’s your story and you’re telling it through your thoughts and how they drive the actions of your life. When you recognize this you come to a simple truth – and this one is ancient: you can change your story and in doing so you can change your world.

People have for centuries understood that wholeness, power, and creativity are immediately available once they recognize that life is not happening to them, rather they are actively creating the story of their life. They told stories, not for entertainment, but as guides for the next generation: a map for powerful living; a map for navigating the unknown.

Ask yourself, “What is the story I tell?” And then ask, “Is this the story I want to tell?”

via The Direction of Intention | It's not in what you get, it's all in what you bring..

Bloom’s Digital Web2.0

Posted: July 8, 2012 in Uncategorized

Bloom's Digital Web2.0.

Site categorizes web 2.0 tools by Blooms taxonomy of skill/experience level: create, evaluate, analyze, apply, understand, remember. Very useful!